_______________________________About PMR ________________________________
PACIFIC MOBILE RECORDERS is celebrating its 20th Anniversary as a Remote Recording Facility serving the western United States and Canada.
As a 48 Track facility with both analog and digital capability, Pacific Mobile Recorders specializes in live concerts, audio for video and film, and live TV and Radio Broadcasts.
Features include 2 separate control rooms, which is ideal for multiple stage programs. It allows for discreet monitoring of each stage at all times, minimizes confusion that sets in during a live show, and maximizes the quality of the mix!
The EQUIPMENT LIST shows equipment that is permanently installed in Control Room A. Control A is set up for monitoring in stereo, Dolby 5.1 or Surround. Control Room B is a pre-wired room suitable for audio or video...or can be used as an iso booth for interviews, overdubs, or whatever. Each Control Room features separate entrance, power, and air conditioning. Control Rooms can be linked through external patchable tie-lines and multipin connectors.
EQUIPMENT LIST
Main Console:
Harrison MR-4 console, 36 x 24 x 36, w/VCA grouping
Submixer: Soundcraft/Spirit Folio Rac Pac, 10 Mic in/28 Line in
Recorders: Otari MTR-90 III 24 track w/ Auto
Locator, EC-101 Synchronizer & remotes, Horita TG-50 SMPTE Time Code
Generator/Window Dub Inserter, pre-wired for Dolby SR w/90 pin ELCO connectors
(DCE Standard).
Otari MTR-90 24
track w/ Auto Locator
Multi-tracks are installed w/90 pin ELCO/Sierra Standard for Dolby SR,
or can easily patch digital multi-track systems ie: DA-88, DA-98 or hard
disk system (Digital systems available upon request)
MCI/Sony JH110B-14
2 track
PC based digital editing system w/Audioscience audio cards
(2) Panasonic SV-3700 DAT
(2) Panasonic SV-3800 DAT (1)Tascam DA-30 mk
(1) Marantz CD-630 CD recorder,
TEAC,JVC, & Yamaha cassette decks
Outboard gear:
TC Elelctronics
Finalizer
Valley 401 Mic preamplifiers
Symetrix 528e Mic preamplifiers
Lexicon 200 Digital Reverb
Lexicon PCM 60 Digital Reverb
Alesis Quadraverb
Yamaha SPX-90
Gates, Digital Delays
Symetrix 422 auto leveller
(4) UREI LA-4 Limiters
(2) UREI 1178 Vintage (stereo) limiters
8 channels Aphex Limiters
(2) Aphex Compellors
Monitors:
(3) JBL LSR28
powered monitors
JBl Control 25 (rear)Sony
surround encoder
Yamaha and Crown Power amps
Multiple Distribution Amps: (1) 2x16, (8)
1x10
Mics: (2) Neumann U-87,(1)AKG 414,(1)AKG
412,(2)AKG 451,(8)AKG 3000,(1)Sennheiser 441,(4)Sennheiser 421,(4)EV RE-20,(1)Shure
SM 81,(4)SM 57,(4)SM 58,(2)Crown PZM,Countryman
& Whirlwind direct boxes
Panasonic color camera/monitors
Patch Bays: All Equipment including mic lines
Intercom: Clear Com, 2 channel
Splits: 72 channels of 3-way transformer
isolated split w/individual ground lifts (120 pin ELCO standard); 36 input,
2-way isolated split (120 pin ELCO standard)
Snakes: 250'-56 pair main snake, 200'-42 pair snake, 50'-36 pair snake, 125'-40 pair snake, Misc. 9-pair, 3-pair, 2-pair snakes;
Power: Truck has (2) 125 Amp Single Phase AC Distribution panels with transformer isolation,* with various Cam-locks, CS 50 Amp 125/250v Twist-Locks, L15 Twist-locks
Stage:
125 Amp AC Distribution panel with multiple feeds
*Minimum power requirement: 50 amp, single phase
Truck: MACK MS200 Turbo Diesel w/total 26'
box, air conditioning, liftgate.
